This ensured that her features were well highlighted and allows the audience to see her as a friend or a common person they would meet in the streets. The producer used close-ups when Amelie was in the shot. The use of different camera anglesĪ second element that can be highlighted is the use of different camera angles to enhance themes in the storyline. This element proves that indeed cinematography is as important as the plot as it enhanced the ability of the audience to connect with the character. This manipulation of the motions of the film ensures the viewers fully grasp the mental state the character is in at the specific moment. On the other hand, when she was sad, anxious, or eager, the motion was slow. For example, the production team ensured that when the lead character was enthusiastic and happy the motion used was also fast. This is common in Jean’s films as he is renowned for combining elements of the film to bring out his stories (Vanderschelden, 2007). One interesting way the film achieved this connection between the character and the audience is through the manipulation of motion. The production team worked hard to ensure that viewers could relate to Amelie at every stage of her life and also as she worked to help those around her. One element that is highlighted in the film is Amelie’s bubbly personality. Learn More Main text Amelie’s bubbly personality Indeed, the chosen cinematography of the film was as important in production as the plot itself as it enhanced the plot and also helps in character development. Through the critique, it will be proven that the film Le Fabuleux Destin d’Amélie Poulain enhanced French film production through the use of modern cinematography. This essay is a critique of the film and will mainly focus on the cinematography elements that are highlighted in the film. In her quest to positively change the lives of the people around her, she also finds love. Additionally, she gives the man who used to live in her apartments his childhood toys that she discovers and this makes him extremely happy (Miller et al., 2010). For instance, she helps two strangers become friends and fall in love.
After the death of Princess Diana, Amelie decides to help everyone around her in any way she can. The story revolves around Amelie, a mischievous but happy waitress who spends much of her time doing good deeds (Cloete, 2017). The film, which was directed by Jean-Pierre Jeunet, received a good response due to both its plot and cinematography. The film Le Fabuleux Destin d’Amélie Poulain, which will be referred to as Amelie in this essay, is a French romantic comedy that was released in 2001.
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